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It is one of the most searched questions about the Prophet ﷺ, and the answer is unusual: we know more about how he looked than about almost any other figure from the ancient world — because his Companions were asked, repeatedly, and their answers were written down.
There is no image, and there never was. What exists instead is description — a whole genre of it, called shama’il.
What the Companions Said
The plainest account comes from al-Bara’ ibn Azib:
Allah’s Messenger ﷺ was the handsomest of all people, and had the best appearance. He was neither very tall nor short.
— Sahih al-Bukhari 3549
Notice what it does not do. It does not reach for the extraordinary. He was of middle height. The Companions who described him were describing a man they had sat next to, eaten with, and argued in front of.
Across the shama’il literature the recurring details are consistent and specific: a broad forehead; wide-set, dark eyes; hair that fell between his ears and shoulders and which he sometimes parted; a moderate build; skin described as luminous rather than pale; and a way of turning to face a person completely when they spoke to him.
That last one is not a physical description at all, and it appears more often than most of the physical ones.
The Other Way Muslims Have Written About It
Alongside the hadith descriptions there is a second tradition — devotional rather than documentary — which does not try to tell you what he looked like so much as what seeing him did to people.
Husn-e-Rasool ﷺ, a 32-page Urdu treatise by Peer Syed Khizar Hussain Chishti after whom our community is named, belongs to this second tradition. It is free to read on our books page.
Its argument, put plainly, is that the beauty of every beautiful thing is borrowed. He writes that if the beauty of Yusuf, peace be upon him — the standard by which beauty is measured in the Quranic account — were examined, it would be a single glimpse of the light of the Prophet’s face; that the moon, the sun and the stars glimmer from that same radiance.
He quotes Allama Saim Chishti:
The beauty of the Master has adorned the whole world / and joined the bond of the creation to its Creator.
A Distinction Worth Making
These two traditions are doing different things, and it helps to know which you are reading.
Husn-e-Rasool also draws on the ishari or allusive style of tafsir — the Sufi tradition of reading a verse for what it points towards beyond its plain sense. Peer sahib cites Tafsir Azizi (p. 358) for a reading in which the fig and the olive of Surah at-Tin, and the forenoon and the night of Surah ad-Duha, are taken as allusions to the Prophet’s face and hair.
That is an allusive reading, not the literal meaning of those verses, and the classical commentators who offer it say so themselves. It belongs to a recognised tradition of devotional commentary; it is not how the verses are translated, and anyone quoting it should say which it is.
We make the point because the two get blurred, and the blurring does no favours to either.
Why There Are No Pictures
The absence is deliberate, and it has protected something.
Every image is an interpretation, and an image fixes one. Nobody has ever been able to say “that is not what he looked like” to a Muslim, because no Muslim ever claimed a likeness. What was preserved instead was testimony — from people who were there, recorded with the names of who said it.
It also kept the attention where the tradition wanted it. A community that had portraits would have argued about portraits.
The Description Everyone Skips
The shama’il collections spend as much space on his manner as his appearance, and the details are oddly domestic:
- He walked as though descending a slope — briskly, leaning slightly forward
- He turned his whole body towards the person speaking to him
- He laughed rarely to the point of loudness; mostly he smiled
- He was the first to extend his hand, and the last to withdraw it
- He never criticised food
These are not descriptions of a face. They are descriptions of what it was like to be near him — and they are, in practice, the only part of this subject anyone can act on.
Your smiling in the face of your brother is charity.
— Jami` at-Tirmidhi 1956
You cannot look like him. You can turn to face the person speaking to you.
Further reading: The Sunnah of Ordinary Days and Darood Sharif.
From our own library
The devotional material in this article is from a work by Peer Syed Khizar Hussain Chishti (Khizr-e-Millat), after whom BKM Community Group — Bazm-e-Khizr-e-Millat — is named:
- Husn-e-Rasool ﷺ (حُسنِ رسول) — on the beauty of the Prophet ﷺ, drawing on Tafsir Azizi and Tafsir Ruh al-Bayan. Published by Bazm-e-Khizr-e-Millat, Pano Aqil, Sukkur. 32 pages, Urdu. Read the PDF
The treatise is in Urdu and is devotional in character. This article summarises its approach in English rather than translating it, and distinguishes it from the hadith-based descriptions, which carry their own references.
About this article
This article distinguishes between hadith-based description and devotional or allusive commentary, and says which is which. Allusive (ishari) tafsir is a recognised tradition but is not the literal meaning of a verse, and is not presented here as if it were. For questions about your own practice, please speak to your local imam.
Published by BKM Community, Manchester. If you believe something here is inaccurate, please tell us and we will correct it.
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